ミエルカ合同会社 Senses of wonder

We interpret local historic value and biodiversity to craft a long-term grand design through thoughtful consulting.

ミエルカは生物多様性を軸に行う環境教育や生きもの調査イベント、歴史・文化と共に、地域の魅力を“見える化”、ローカルブランディングをサポートします。


About

生きもの目線で地域・農業の魅力を見える化!
『田んぼの生きもの調査』で20年以上全国行脚を続ける“田んぼソムリエ”林 鷹央が、未来の日本の姿を世に問うプロジェクトです。

メンバー

CEO
林 鷹央 Takao Hayashi
美術・デザインをバックボーンに持つ『田んぼソムリエ』
生物多様性を軸に地域の歴史や文化・地理的特徴を活かす温故知新のグランドデザインのアドバイザー。
築城・治水・文武に長けた戦国武将、明智光秀の男系末裔。

advisor
池上甲一 Koichi Ikegami
近畿大学農学部名誉教授、博士(農学・京都大学大学院農学研究科)
1952年、長野県生まれ。京都大学、近畿大学で教育・研究に従事。特定非営利活動法人西日本アグロエコロジー協会共同代表、家族農林漁業プラットフォーム・ジャパン常務理事。農業の社会経済学を目指して、日本、アフリカ、アジアの農村を歩き回り、農業・食料、水・環境、アグロエコロジー、フェアトレード、大規模農業投資などについて研究している。著書に『食と農のいま』(共編著、ナカニシヤ出版、2011年)、『農の福祉力』(単著、農山漁村文化協会、2013年)、『現代社会と食の多面的機能』(責任編集、『季刊農業と経済』、英明企画編集、2022年)、『アフリカから農を問い直す』(分担、京都大学学術出版会、2023年)、『ほんとうのグローバリゼーションってなに?』(編著、農文協、2023年)など。


Service

準備中

A close-up of an open, elegantly bound field journal with crisp, off-white pages partially filled with botanical sketches and neatly handwritten notes. Next to it lies a small, delicate glass vial containing samples of local river water, slightly tinted by natural algae. Both items are arranged atop a pale wooden desk with a subtle grain. Soft midday light filters through translucent curtains, casting faint, elongated shadows across the pages. The mood is scholarly and serene, with a clean, minimalist aesthetic captured at an eye-level angle and shallow depth of field to draw the eye to fine details. This photographic style reflects the practice of biodiversity study central to the company’s mission.


視察・ヒアリング

歴史資源の深掘り

生きもの調査イベント

An aerial perspective of an abstracted local landscape model—richly textured felt hills, winding thread rivers, and miniature wooden shrines—carefully positioned atop a matte grey presentation board. Soft overcast natural light seeps in from a skylight, rendering gentle highlights and nuanced shadows that emphasize the tactile qualities and muted green, blue, and brown palette. The composition is balanced but asymmetrical, giving a sense of dynamic regional diversity. There are no human elements; the focus is entirely on the harmonious, minimalist integration of nature and culture, echoing sophisticated, photographic realism for an educational context.
A close-up of an open, elegantly bound field journal with crisp, off-white pages partially filled with botanical sketches and neatly handwritten notes. Next to it lies a small, delicate glass vial containing samples of local river water, slightly tinted by natural algae. Both items are arranged atop a pale wooden desk with a subtle grain. Soft midday light filters through translucent curtains, casting faint, elongated shadows across the pages. The mood is scholarly and serene, with a clean, minimalist aesthetic captured at an eye-level angle and shallow depth of field to draw the eye to fine details. This photographic style reflects the practice of biodiversity study central to the company’s mission.
A graceful arrangement of softly textured, pale green and earthy-toned origami animals—cranes, frogs, and insects—resting on an understated linen fabric surface. Behind them, a muted watercolor backdrop illustrates misty forest hills and a slow-moving river. Gentle, ambient lighting envelops the scene, creating soft highlights on the origami folds and bringing out the delicate color gradients. Compositionally, the shot is centered but spare, with ample negative space to accentuate the sophisticated, peaceful tone. The overall effect is refined, minimalist, and photographic, perfectly suited to a site focused on bridging nature and education through elegant visual metaphors.

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